| A mad, keen photographer needs to get out | ...words and pictures can work together to |
| into the world and work and make mistakes. | communicate more powerfully than either |
| - Sam Abell | alone. -William Albert Allard |
| | |
| The difficulty with color is to go beyond the | You've got to push yourself harder. You've got |
| fact that it's color to have it be not just a | to start looking for pictures nobody else could |
| colorful picture but really be a picture about | take. You've got to take the tools you have and |
| something. It's difficult. So often color gets | probe deeper. - William Albert Allard |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | Photography records the gamut of feelings |
| brilliantly to make visual statements combining | written on the human face, the beauty of the |
| color and content; otherwise it is empty. | earth and skies that man has inherited and the |
| - Mary Ellen Mark | wealth and confusion man has created. |
| | - Edward Steichen |
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New York |
Sioux Falls |
Glendale |
Clearwater |
Manchester |
Worcester |
Easton |
Brandon |
Madison |
Merced |
Bartlett |
Sherman |
Hamilton |
Marquette |
Asheboro |
Hicksville |
Norwood |
Sandy |
Las Vegas |
Marshalltown |
Georgetown |
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| Sometimes you can tell a large story with a | [Photography] is a way of feeling, of touching, |
| tiny subject. - Eliot Porter | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| Keep it simple. - Alfred Eienstaedt | long after you have forgotten everything. |
| | - Aaron Siskind |
| You can find pictures anywhere. It's simply a | |
| matter of noticing things and organizing them. | Photography is my passion. - Alfred |
| You just have to care about what's around you | Stieglitz |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
|