| My own eyes are no more than scouts on a | You learn to see by practice. It's just like |
| preliminary search, for the camera's eye may | playing tennis, you get better the more you |
| entirely change my idea. - Edward | play. The more you look around at things, the |
| Weston | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| The virtue of the camera is not the power it | and what can't be photographed. You just have |
| has to transform the photographer into an | to keep doing it. - Eliot Porter |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | Keep it simple. - Alfred Eienstaedt |
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New York |
Los Angeles |
San Francisco |
Seattle |
Atlanta |
Las Vegas |
Salt Lake City |
Odessa |
Lincoln |
Mansfield |
Vista |
Akron |
Prattville |
Irving |
Hanover |
Arlington |
Sonoma |
Sudbury |
Brookhaven |
Girard |
Stoughton |
Strongsville |
Childress |
Thief River Falls |
Newport |
Kohala Coast |
Salem |
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| Memory is very important, the memory of | Now to consult the rules of composition before |
| each photo taken, flowing at the same speed | making a picture is a little like consulting the |
| as the event. During the work, you have to be | law of gravitation before going for a walk. |
| sure that you haven't left any holes, that you've | Such rules and laws are deduced from the |
| captured everything, because afterwards it will | accomplished fact; they are the products of |
| be too late. - Henri Cartier Bresson | reflection . . . - Edward Weston |
| | |
| ...words and pictures can work together to | Photography is my passion. - Alfred |
| communicate more powerfully than either | Stieglitz |
| alone. -William Albert Allard | |
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