| Memory is very important, the memory of | A picture is the expression of an impression. If |
| each photo taken, flowing at the same speed | the beautiful were not in us, how would we |
| as the event. During the work, you have to be | ever recognize it? - Ernst Haas |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | Keep it simple. - Alfred Eienstaedt |
| be too late. - Henri Cartier Bresson | |
| | A good picture is equivalent to a good deed. |
| Photography records the gamut of feelings | - Vincent Van Gogh |
| written on the human face, the beauty of the | |
| earth and skies that man has inherited and the | You learn to see by practice. It's just like |
| wealth and confusion man has created. | playing tennis, you get better the more you |
| - Edward Steichen | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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Las Vegas |
Scottsdale |
Oakland |
Lima |
Montgomery |
Pensacola |
Prescott |
Monticello |
Morehead |
Paso Robles |
Madera |
Princess Anne |
Warner Robins |
Forest Park |
Laguna Beach |
Dyersville |
Lake Geneva |
Marion |
Lynchburg |
Holyoke |
Atlantic City |
Grinnell |
Stafford |
Waterville Valley |
Kauai |
Warren |
Rockford |
Malibu |
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| One should really use the camera as though | Photography takes an instant out of time, |
| tomorrow you'd be stricken blind. | altering life by holding it still. - Dorothea |
| - Dorothea Lange | Lange |
| | |
| The virtue of the camera is not the power it | There is nothing worse than a sharp image of |
| has to transform the photographer into an | a fuzzy concept. - Ansel Adams |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | It is not the language of painters but the |
| | language of nature which one should listen to. |
| The difficulty with color is to go beyond the | . . . The feeling for the things themselves, for |
| fact that it's color to have it be not just a | reality, is more important than the feeling for |
| colorful picture but really be a picture about | pictures. - Vincent Van Gogh |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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