| Photography records the gamut of feelings | A room hung with pictures is a room hung with |
| written on the human face, the beauty of the | thoughts. - Sir Joshua Reynolds |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | A good picture is equivalent to a good deed. |
| - Edward Steichen | - Vincent Van Gogh |
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| Memory is very important, the memory of | You learn to see by practice. It's just like |
| each photo taken, flowing at the same speed | playing tennis, you get better the more you |
| as the event. During the work, you have to be | play. The more you look around at things, the |
| sure that you haven't left any holes, that you've | more you see. The more you photograph, the |
| captured everything, because afterwards it will | more you realize what can be photographed |
| be too late. - Henri Cartier Bresson | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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Houston |
Los Angeles |
Chicago |
Miami |
Las Vegas |
San Diego |
San Antonio |
Fresno |
Reno |
Cedar Rapids |
Acworth |
Colorado Springs |
Costa Mesa |
Tyler |
Roseburg |
Andover |
Hobbs |
Cumming |
Vallejo |
Cabot |
Nacogdoches |
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| Photography suits the temper of this ageof | It is not the language of painters but the |
| active bodies and minds. It is a perfect | language of nature which one should listen to. |
| medium for one whose mind is teeming with | . . . The feeling for the things themselves, for |
| ideas, imagery, for a prolific worker who | reality, is more important than the feeling for |
| would be slowed down by painting or | pictures. - Vincent Van Gogh |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | [Photography] is a way of feeling, of touching, |
| | of loving. What you have caught on film is |
| The difficulty with color is to go beyond the | captured forever . . . it remembers little things, |
| fact that it's color to have it be not just a | long after you have forgotten everything. |
| colorful picture but really be a picture about | - Aaron Siskind |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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