| ...words and pictures can work together to | The camera makes everyone a tourist in other |
| communicate more powerfully than either | people's reality. - Susan Sontag |
| alone. -William Albert Allard | |
| | A mad, keen photographer needs to get out |
| I think you have to have a real point of view | into the world and work and make mistakes. |
| that's your own. You have to tell it your way. | - Sam Abell |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | Photography suits the temper of this ageof |
| never going to be as good. You have to shoot | active bodies and minds. It is a perfect |
| for yourself and photograph [the way] you | medium for one whose mind is teeming with |
| believe it. - Mary Ellen Mark | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
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| It is not the language of painters but the | I think the best pictures are often on the edges |
| language of nature which one should listen to. | of any situation, I don't find photographing the |
| . . . The feeling for the things themselves, for | situation nearly as interesting as |
| reality, is more important than the feeling for | photographing the edges. - William Albert |
| pictures. - Vincent Van Gogh | Allard |
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| [Photography] is a way of feeling, of touching, | You can find pictures anywhere. It's simply a |
| of loving. What you have caught on film is | matter of noticing things and organizing them. |
| captured forever . . . it remembers little things, | You just have to care about what's around you |
| long after you have forgotten everything. | and have a concern with humanity and the |
| - Aaron Siskind | human comedy. - Elliott Erwitt |
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