| Above all, it's hard learning to live with vivid | I almost never set out to photograph a |
| mental images of scenes I cared for and failed | landscape, nor do I think of my camera as a |
| to photograph. It is the edgy existence within | means of recording a mountain or an animal |
| me of these unmade images that is the only | unless I absolutely need a 'record shot'. My |
| assurance that the best photographs are yet to | first thought is always of light. - Galen |
| be made. - Sam Abell | Rowell |
| | |
| "Simply look with perceptive eyes at the | The difficulty with color is to go beyond the |
| world about you, and trust to your own | fact that it's color to have it be not just a |
| reactions and convictions. Ask yourself: | colorful picture but really be a picture about |
| "Does this subject move me to feel, think | something. It's difficult. So often color gets |
| and dream? Can I visualize a print - my own | caught up in color, and it becomes merely |
| personal statement of what I feel and want to | decorative. Some photographers use [ it ] |
| convey - from the subject before me?" | brilliantly to make visual statements combining |
| - Ansel Adams | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
|
|
Chicago |
Charlotte |
Bronx |
Fort Lauderdale |
New Haven |
Fayetteville |
Detroit |
Syracuse |
Iselin |
Renton |
Merrill |
Atlanta |
Matthews |
North Ridgeville |
Jackson |
Waco |
Stockbridge |
Morro Bay |
Bentleyville |
Tallapoosa |
Harrisburg |
Crawfordsville |
De Pere |
Corydon |
Chester |
Concordia |
North Kansas City |
Alvin |
|
|
| Memory is very important, the memory of | A picture is the expression of an impression. If |
| each photo taken, flowing at the same speed | the beautiful were not in us, how would we |
| as the event. During the work, you have to be | ever recognize it? - Ernst Haas |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | No place is boring, if you've had a good |
| be too late. - Henri Cartier Bresson | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
| Photography is a major force in explaining | |
| man to man. - Edward Steichen | I think the best pictures are often on the edges |
| | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| | Allard |
|