| Photography knows how to authenticate its | You can find pictures anywhere. It's simply a |
| misrepresentations. - Mason Cooley | matter of noticing things and organizing them. |
| | You just have to care about what's around you |
| I think you have to have a real point of view | and have a concern with humanity and the |
| that's your own. You have to tell it your way. | human comedy. - Elliott Erwitt |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | I think the best pictures are often on the edges |
| never going to be as good. You have to shoot | of any situation, I don't find photographing the |
| for yourself and photograph [the way] you | situation nearly as interesting as |
| believe it. - Mary Ellen Mark | photographing the edges. - William Albert |
| | Allard |
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Chicago |
New York |
Pittsburgh |
Tampa |
Dallas |
Colorado Springs |
Lubbock |
Nashville |
Huntington Beach |
Omaha |
Cape Coral |
Topeka |
Malden |
Bellevue |
Quincy |
Grand Island |
Carmel |
Jacksonville |
Macomb |
Terrell |
Boca Raton |
Euless |
Laurel |
Blackfoot |
Mineral Wells |
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| One should really use the camera as though | [Photography] is a way of feeling, of touching, |
| tomorrow you'd be stricken blind. | of loving. What you have caught on film is |
| - Dorothea Lange | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| The camera makes everyone a tourist in other | - Aaron Siskind |
| people's reality. - Susan Sontag | |
| | "Simply look with perceptive eyes at the |
| A mad, keen photographer needs to get out | world about you, and trust to your own |
| into the world and work and make mistakes. | reactions and convictions. Ask yourself: |
| - Sam Abell | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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