| "Simply look with perceptive eyes at the | The camera makes everyone a tourist in other |
| world about you, and trust to your own | people's reality. - Susan Sontag |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | The virtue of the camera is not the power it |
| and dream? Can I visualize a print - my own | has to transform the photographer into an |
| personal statement of what I feel and want to | artist, but the impulse it gives him to keep on |
| convey - from the subject before me?" | looking. - Brooks Anderson |
| - Ansel Adams | |
| | One should really use the camera as though |
| Once photography enters your bloodstream, | tomorrow you'd be stricken blind. |
| it's like a disease. - Anon | - Dorothea Lange |
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Chicago |
Kansas City |
Raleigh |
Orlando |
Hendersonville |
Arlington |
Chula Vista |
Concord |
Beaufort |
Manchester |
Roseburg |
Independence |
Minden |
El Campo |
Richmond |
Leavenworth |
Winnfield |
Dunn |
Barrington |
Hutchinson |
Princeton |
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| A great photograph is one that fully expresses | Photography knows how to authenticate its |
| what one feels, in the deepest sense, about | misrepresentations. - Mason Cooley |
| what is being photographed. - Ansel | |
| Adams | Photography is about finding out what can |
| | happen in the frame. When you put four |
| A room hung with pictures is a room hung with | edges around some facts, you change those |
| thoughts. - Sir Joshua Reynolds | facts. - Gary Winogrand |
| | |
| Keep it simple. - Alfred Eienstaedt | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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