| I think the best pictures are often on the edges | Above all, it's hard learning to live with vivid |
| of any situation, I don't find photographing the | mental images of scenes I cared for and failed |
| situation nearly as interesting as | to photograph. It is the edgy existence within |
| photographing the edges. - William Albert | me of these unmade images that is the only |
| Allard | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
| No place is boring, if you've had a good | |
| night's sleep and have a pocket full of | It is not the language of painters but the |
| unexposed film. - Robert Adams | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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Miami |
San Jose |
San Diego |
Philadelphia |
Columbus |
Clovis |
Stuart |
Bradenton |
Price |
Cordele |
Hutchinson |
Old Forge |
Ocala |
Cranston |
Mason City |
Tyler |
Winterset |
Vancouver |
Marion |
Houghton |
Superior |
Hammonton |
Wausau |
Mystic |
Oswego |
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| Photography is a major force in explaining | Photography suits the temper of this ageof |
| man to man. - Edward Steichen | active bodies and minds. It is a perfect |
| | medium for one whose mind is teeming with |
| Memory is very important, the memory of | ideas, imagery, for a prolific worker who |
| each photo taken, flowing at the same speed | would be slowed down by painting or |
| as the event. During the work, you have to be | sculpting, for one who sees quickly and acts |
| sure that you haven't left any holes, that you've | decisively, accurately. - Edward Weston |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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