| Memory is very important, the memory of | Photography suits the temper of this ageof |
| each photo taken, flowing at the same speed | active bodies and minds. It is a perfect |
| as the event. During the work, you have to be | medium for one whose mind is teeming with |
| sure that you haven't left any holes, that you've | ideas, imagery, for a prolific worker who |
| captured everything, because afterwards it will | would be slowed down by painting or |
| be too late. - Henri Cartier Bresson | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | A mad, keen photographer needs to get out |
| earth and skies that man has inherited and the | into the world and work and make mistakes. |
| wealth and confusion man has created. | - Sam Abell |
| - Edward Steichen | |
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Chicago |
San Antonio |
Washington |
Baltimore |
Los Angeles |
Virginia Beach |
Oklahoma City |
Tampa |
Staten Island |
Irving |
Jacksonville |
Lubbock |
Salem |
Titusville |
Orlando |
Robinson |
Apex |
Fostoria |
Phenix City |
Johnston |
Falmouth |
Norwich |
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| There is nothing worse than a sharp image of | You can find pictures anywhere. It's simply a |
| a fuzzy concept. - Ansel Adams | matter of noticing things and organizing them. |
| | You just have to care about what's around you |
| "Simply look with perceptive eyes at the | and have a concern with humanity and the |
| world about you, and trust to your own | human comedy. - Elliott Erwitt |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | A great photograph is one that fully expresses |
| and dream? Can I visualize a print - my own | what one feels, in the deepest sense, about |
| personal statement of what I feel and want to | what is being photographed. - Ansel |
| convey - from the subject before me?" | Adams |
| - Ansel Adams | |
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