| Photography is my passion. - Alfred | Memory is very important, the memory of |
| Stieglitz | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| "Simply look with perceptive eyes at the | sure that you haven't left any holes, that you've |
| world about you, and trust to your own | captured everything, because afterwards it will |
| reactions and convictions. Ask yourself: | be too late. - Henri Cartier Bresson |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | Photography is about finding out what can |
| personal statement of what I feel and want to | happen in the frame. When you put four |
| convey - from the subject before me?" | edges around some facts, you change those |
| - Ansel Adams | facts. - Gary Winogrand |
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Atlanta |
Chesapeake |
Durham |
Jersey City |
Philadelphia |
Johnson City |
Glendale |
Miami Beach |
Gary |
Phoenix |
Paso Robles |
Imperial Beach |
Horseheads |
Olean |
Rochester |
Fairbanks |
Bridgeville |
Dublin |
Clemmons |
Atlantic City North |
Exmore |
Gold Canyon |
South Holland |
New Haven |
Steamboat Springs Hilltop |
Rye |
Merriam |
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| You learn to see by practice. It's just like | I almost never set out to photograph a |
| playing tennis, you get better the more you | landscape, nor do I think of my camera as a |
| play. The more you look around at things, the | means of recording a mountain or an animal |
| more you see. The more you photograph, the | unless I absolutely need a 'record shot'. My |
| more you realize what can be photographed | first thought is always of light. - Galen |
| and what can't be photographed. You just have | Rowell |
| to keep doing it. - Eliot Porter | |
| | The difficulty with color is to go beyond the |
| You can find pictures anywhere. It's simply a | fact that it's color to have it be not just a |
| matter of noticing things and organizing them. | colorful picture but really be a picture about |
| You just have to care about what's around you | something. It's difficult. So often color gets |
| and have a concern with humanity and the | caught up in color, and it becomes merely |
| human comedy. - Elliott Erwitt | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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