| One should really use the camera as though | A picture is the expression of an impression. If |
| tomorrow you'd be stricken blind. | the beautiful were not in us, how would we |
| - Dorothea Lange | ever recognize it? - Ernst Haas |
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| Photography suits the temper of this ageof | Keep it simple. - Alfred Eienstaedt |
| active bodies and minds. It is a perfect | |
| medium for one whose mind is teeming with | A great photograph is one that fully expresses |
| ideas, imagery, for a prolific worker who | what one feels, in the deepest sense, about |
| would be slowed down by painting or | what is being photographed. - Ansel |
| sculpting, for one who sees quickly and acts | Adams |
| decisively, accurately. - Edward Weston | |
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Las Vegas |
Miami |
Oklahoma City |
Charlotte |
Washington |
Santa Rosa |
Birmingham |
Hollywood |
Redondo Beach |
Chesterfield |
Dunkirk |
Glen Cove |
Billings |
Alma |
Kilgore |
Lexington Park |
Hillsboro |
Goleta |
Lima |
Buckhead |
Waycross |
Adelanto |
Antioch |
South Padre Island |
Red Bluff |
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| Memory is very important, the memory of | Now to consult the rules of composition before |
| each photo taken, flowing at the same speed | making a picture is a little like consulting the |
| as the event. During the work, you have to be | law of gravitation before going for a walk. |
| sure that you haven't left any holes, that you've | Such rules and laws are deduced from the |
| captured everything, because afterwards it will | accomplished fact; they are the products of |
| be too late. - Henri Cartier Bresson | reflection . . . - Edward Weston |
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| I think you have to have a real point of view | Once photography enters your bloodstream, |
| that's your own. You have to tell it your way. | it's like a disease. - Anon |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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