| Photography records the gamut of feelings | A room hung with pictures is a room hung with |
| written on the human face, the beauty of the | thoughts. - Sir Joshua Reynolds |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | I think the best pictures are often on the edges |
| - Edward Steichen | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| I think you have to have a real point of view | photographing the edges. - William Albert |
| that's your own. You have to tell it your way. | Allard |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | A great photograph is one that fully expresses |
| never going to be as good. You have to shoot | what one feels, in the deepest sense, about |
| for yourself and photograph [the way] you | what is being photographed. - Ansel |
| believe it. - Mary Ellen Mark | Adams |
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San Antonio |
Denver |
New York |
Asheville |
Champaign |
Gainesville |
Tucker |
Jacksonville |
High Point |
Tifton |
Chincoteague |
Rocklin |
Temecula |
Sidney |
Lafayette |
Clifton Park |
Russellville |
Harlingen |
Mission Hills |
Maplewood |
Brownsville |
Macon |
Silverdale |
Van Nuys |
Drums |
Washington |
Falmouth |
La Vale |
Sullivan |
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| There is nothing worse than a sharp image of | The difficulty with color is to go beyond the |
| a fuzzy concept. - Ansel Adams | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| Above all, it's hard learning to live with vivid | something. It's difficult. So often color gets |
| mental images of scenes I cared for and failed | caught up in color, and it becomes merely |
| to photograph. It is the edgy existence within | decorative. Some photographers use [ it ] |
| me of these unmade images that is the only | brilliantly to make visual statements combining |
| assurance that the best photographs are yet to | color and content; otherwise it is empty. |
| be made. - Sam Abell | - Mary Ellen Mark |
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