| One should really use the camera as though | A great photograph is one that fully expresses |
| tomorrow you'd be stricken blind. | what one feels, in the deepest sense, about |
| - Dorothea Lange | what is being photographed. - Ansel |
| | Adams |
| The camera makes everyone a tourist in other | |
| people's reality. - Susan Sontag | Keep it simple. - Alfred Eienstaedt |
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| The difficulty with color is to go beyond the | A picture is the expression of an impression. If |
| fact that it's color to have it be not just a | the beautiful were not in us, how would we |
| colorful picture but really be a picture about | ever recognize it? - Ernst Haas |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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| Photography records the gamut of feelings | Now to consult the rules of composition before |
| written on the human face, the beauty of the | making a picture is a little like consulting the |
| earth and skies that man has inherited and the | law of gravitation before going for a walk. |
| wealth and confusion man has created. | Such rules and laws are deduced from the |
| - Edward Steichen | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
| You've got to push yourself harder. You've got | |
| to start looking for pictures nobody else could | Photography is my passion. - Alfred |
| take. You've got to take the tools you have and | Stieglitz |
| probe deeper. - William Albert Allard | |
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