| One should really use the camera as though | It is not the language of painters but the |
| tomorrow you'd be stricken blind. | language of nature which one should listen to. |
| - Dorothea Lange | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| A mad, keen photographer needs to get out | pictures. - Vincent Van Gogh |
| into the world and work and make mistakes. | |
| - Sam Abell | Now to consult the rules of composition before |
| | making a picture is a little like consulting the |
| My own eyes are no more than scouts on a | law of gravitation before going for a walk. |
| preliminary search, for the camera's eye may | Such rules and laws are deduced from the |
| entirely change my idea. - Edward | accomplished fact; they are the products of |
| Weston | reflection . . . - Edward Weston |
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Atlanta |
Philadelphia |
Los Angeles |
Arlington |
Santa Barbara |
Ventura |
Greenwood |
Jackson |
Linthicum |
Tuscaloosa |
Chelmsford |
South Portland |
Addison |
Chicago |
Huron |
Waterloo |
Uvalde |
Downers Grove |
Libertyville |
Palo Alto |
Brevard |
Hiawassee |
Stratton |
Dulles |
North Aurora |
Baxley |
Duck Keys |
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| A room hung with pictures is a room hung with | ...words and pictures can work together to |
| thoughts. - Sir Joshua Reynolds | communicate more powerfully than either |
| | alone. -William Albert Allard |
| You learn to see by practice. It's just like | |
| playing tennis, you get better the more you | Memory is very important, the memory of |
| play. The more you look around at things, the | each photo taken, flowing at the same speed |
| more you see. The more you photograph, the | as the event. During the work, you have to be |
| more you realize what can be photographed | sure that you haven't left any holes, that you've |
| and what can't be photographed. You just have | captured everything, because afterwards it will |
| to keep doing it. - Eliot Porter | be too late. - Henri Cartier Bresson |
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