| Photography is my passion. - Alfred | Photography is about finding out what can |
| Stieglitz | happen in the frame. When you put four |
| | edges around some facts, you change those |
| Above all, it's hard learning to live with vivid | facts. - Gary Winogrand |
| mental images of scenes I cared for and failed | |
| to photograph. It is the edgy existence within | Pictures you have taken have an influence on |
| me of these unmade images that is the only | those that you are going to make. |
| assurance that the best photographs are yet to | That's life! - John Sexton |
| be made. - Sam Abell | |
| | Photography records the gamut of feelings |
| | written on the human face, the beauty of the |
| | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| | - Edward Steichen |
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San Antonio |
Cincinnati |
Oklahoma City |
Milwaukee |
Portland |
Kalamazoo |
Myrtle Beach |
Stockton |
Champaign |
Jasper |
Russellville |
Hamilton |
Woonsocket |
Paris |
Moberly |
Novato |
Sandy |
Saratoga Springs |
Lynchburg |
Port Jefferson |
Gainesville |
Longview |
Johnson City |
Live Oak |
Evansville |
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| The virtue of the camera is not the power it | A picture is the expression of an impression. If |
| has to transform the photographer into an | the beautiful were not in us, how would we |
| artist, but the impulse it gives him to keep on | ever recognize it? - Ernst Haas |
| looking. - Brooks Anderson | |
| | A good picture is equivalent to a good deed. |
| A mad, keen photographer needs to get out | - Vincent Van Gogh |
| into the world and work and make mistakes. | |
| - Sam Abell | You can find pictures anywhere. It's simply a |
| | matter of noticing things and organizing them. |
| The difficulty with color is to go beyond the | You just have to care about what's around you |
| fact that it's color to have it be not just a | and have a concern with humanity and the |
| colorful picture but really be a picture about | human comedy. - Elliott Erwitt |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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