| [Photography] is a way of feeling, of touching, | My own eyes are no more than scouts on a |
| of loving. What you have caught on film is | preliminary search, for the camera's eye may |
| captured forever . . . it remembers little things, | entirely change my idea. - Edward |
| long after you have forgotten everything. | Weston |
| - Aaron Siskind | |
| | One should really use the camera as though |
| Photography takes an instant out of time, | tomorrow you'd be stricken blind. |
| altering life by holding it still. - Dorothea | - Dorothea Lange |
| Lange | |
| | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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Houston |
New York |
Las Vegas |
Omaha |
Lubbock |
Greensboro |
Broken Arrow |
Franklin |
Warren |
Richmond |
Lebanon |
Grants Pass |
Bessemer |
Glen Ellyn |
Canton |
Brea |
Kenmore |
Spokane |
Monrovia |
Tigard |
Portsmouth |
Texarkana |
Payson |
Auburn |
Del Mar |
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| You've got to push yourself harder. You've got | You can find pictures anywhere. It's simply a |
| to start looking for pictures nobody else could | matter of noticing things and organizing them. |
| take. You've got to take the tools you have and | You just have to care about what's around you |
| probe deeper. - William Albert Allard | and have a concern with humanity and the |
| | human comedy. - Elliott Erwitt |
| Pictures you have taken have an influence on | |
| those that you are going to make. | I think the best pictures are often on the edges |
| That's life! - John Sexton | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| Memory is very important, the memory of | photographing the edges. - William Albert |
| each photo taken, flowing at the same speed | Allard |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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