| A mad, keen photographer needs to get out | Photography takes an instant out of time, |
| into the world and work and make mistakes. | altering life by holding it still. - Dorothea |
| - Sam Abell | Lange |
| | |
| The difficulty with color is to go beyond the | Once photography enters your bloodstream, |
| fact that it's color to have it be not just a | it's like a disease. - Anon |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | "Simply look with perceptive eyes at the |
| caught up in color, and it becomes merely | world about you, and trust to your own |
| decorative. Some photographers use [ it ] | reactions and convictions. Ask yourself: |
| brilliantly to make visual statements combining | "Does this subject move me to feel, think |
| color and content; otherwise it is empty. | and dream? Can I visualize a print - my own |
| - Mary Ellen Mark | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Edmond |
Palm Coast |
Cleveland |
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Dallas |
Santa Cruz |
Rock Hill |
Imlay City |
Moberly |
Fayetteville |
Beaverton |
Johnston |
Niantic |
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Crystal Lake |
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Louisville |
Columbus |
Muscle Shoals |
Safety Harbor |
Nashville |
Toccoa |
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| No place is boring, if you've had a good | Memory is very important, the memory of |
| night's sleep and have a pocket full of | each photo taken, flowing at the same speed |
| unexposed film. - Robert Adams | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| I think the best pictures are often on the edges | captured everything, because afterwards it will |
| of any situation, I don't find photographing the | be too late. - Henri Cartier Bresson |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | Photography records the gamut of feelings |
| Allard | written on the human face, the beauty of the |
| | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| | - Edward Steichen |
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