| Photography is about finding out what can | The virtue of the camera is not the power it |
| happen in the frame. When you put four | has to transform the photographer into an |
| edges around some facts, you change those | artist, but the impulse it gives him to keep on |
| facts. - Gary Winogrand | looking. - Brooks Anderson |
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| I think you have to have a real point of view | The difficulty with color is to go beyond the |
| that's your own. You have to tell it your way. | fact that it's color to have it be not just a |
| And, I think that it's a mistake to shoot for a | colorful picture but really be a picture about |
| specific magazine's point of view because it's | something. It's difficult. So often color gets |
| never going to be as good. You have to shoot | caught up in color, and it becomes merely |
| for yourself and photograph [the way] you | decorative. Some photographers use [ it ] |
| believe it. - Mary Ellen Mark | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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| A picture is the expression of an impression. If | "Simply look with perceptive eyes at the |
| the beautiful were not in us, how would we | world about you, and trust to your own |
| ever recognize it? - Ernst Haas | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| I think the best pictures are often on the edges | and dream? Can I visualize a print - my own |
| of any situation, I don't find photographing the | personal statement of what I feel and want to |
| situation nearly as interesting as | convey - from the subject before me?" |
| photographing the edges. - William Albert | - Ansel Adams |
| Allard | |
| | Photography takes an instant out of time, |
| | altering life by holding it still. - Dorothea |
| | Lange |
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