| You can find pictures anywhere. It's simply a | The virtue of the camera is not the power it |
| matter of noticing things and organizing them. | has to transform the photographer into an |
| You just have to care about what's around you | artist, but the impulse it gives him to keep on |
| and have a concern with humanity and the | looking. - Brooks Anderson |
| human comedy. - Elliott Erwitt | |
| | A mad, keen photographer needs to get out |
| Keep it simple. - Alfred Eienstaedt | into the world and work and make mistakes. |
| | - Sam Abell |
| I think the best pictures are often on the edges | |
| of any situation, I don't find photographing the | One should really use the camera as though |
| situation nearly as interesting as | tomorrow you'd be stricken blind. |
| photographing the edges. - William Albert | - Dorothea Lange |
| Allard | |
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| Photography takes an instant out of time, | Memory is very important, the memory of |
| altering life by holding it still. - Dorothea | each photo taken, flowing at the same speed |
| Lange | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| There is nothing worse than a sharp image of | captured everything, because afterwards it will |
| a fuzzy concept. - Ansel Adams | be too late. - Henri Cartier Bresson |
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| "Simply look with perceptive eyes at the | Photography is about finding out what can |
| world about you, and trust to your own | happen in the frame. When you put four |
| reactions and convictions. Ask yourself: | edges around some facts, you change those |
| "Does this subject move me to feel, think | facts. - Gary Winogrand |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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