| You've got to push yourself harder. You've got | I think the best pictures are often on the edges |
| to start looking for pictures nobody else could | of any situation, I don't find photographing the |
| take. You've got to take the tools you have and | situation nearly as interesting as |
| probe deeper. - William Albert Allard | photographing the edges. - William Albert |
| | Allard |
| I think you have to have a real point of view | |
| that's your own. You have to tell it your way. | No place is boring, if you've had a good |
| And, I think that it's a mistake to shoot for a | night's sleep and have a pocket full of |
| specific magazine's point of view because it's | unexposed film. - Robert Adams |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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Houston |
Louisville |
Baltimore |
New York |
Kansas City |
Buffalo |
Reno |
Rochester |
Carlsbad |
Salisbury |
Gainesville |
Leominster |
Oceanside |
Jefferson City |
Longwood |
Longmont |
Waverly |
Campbell |
La Crosse |
Mendota |
Pearland |
Bunkie |
Saratoga Springs |
Portage |
Columbus |
Orlando |
Fernley |
Lacey |
Frankfort |
Casa Grande |
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| There is nothing worse than a sharp image of | Photography suits the temper of this ageof |
| a fuzzy concept. - Ansel Adams | active bodies and minds. It is a perfect |
| | medium for one whose mind is teeming with |
| Once photography enters your bloodstream, | ideas, imagery, for a prolific worker who |
| it's like a disease. - Anon | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| Now to consult the rules of composition before | decisively, accurately. - Edward Weston |
| making a picture is a little like consulting the | |
| law of gravitation before going for a walk. | The virtue of the camera is not the power it |
| Such rules and laws are deduced from the | has to transform the photographer into an |
| accomplished fact; they are the products of | artist, but the impulse it gives him to keep on |
| reflection . . . - Edward Weston | looking. - Brooks Anderson |
|