| It is not the language of painters but the | Sometimes you can tell a large story with a |
| language of nature which one should listen to. | tiny subject. - Eliot Porter |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | Keep it simple. - Alfred Eienstaedt |
| pictures. - Vincent Van Gogh | |
| | You can find pictures anywhere. It's simply a |
| Above all, it's hard learning to live with vivid | matter of noticing things and organizing them. |
| mental images of scenes I cared for and failed | You just have to care about what's around you |
| to photograph. It is the edgy existence within | and have a concern with humanity and the |
| me of these unmade images that is the only | human comedy. - Elliott Erwitt |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
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Houston |
Indianapolis |
Fort Wayne |
Worcester |
West Palm Beach |
Charleston |
Mansfield |
Columbus |
Williamsburg |
Conyers |
Yorba Linda |
Longwood |
Jackson |
Palestine |
Morristown |
Checotah |
Bremerton |
Owings Mills |
Asheville |
Columbus |
Brigantine |
Bucyrus |
Watsonville |
Tehachapi |
Kalkaska |
Buffalo Grove |
Drums |
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| The camera makes everyone a tourist in other | Photography is a major force in explaining |
| people's reality. - Susan Sontag | man to man. - Edward Steichen |
| | |
| My own eyes are no more than scouts on a | ...words and pictures can work together to |
| preliminary search, for the camera's eye may | communicate more powerfully than either |
| entirely change my idea. - Edward | alone. -William Albert Allard |
| Weston | |
| | Photography records the gamut of feelings |
| The difficulty with color is to go beyond the | written on the human face, the beauty of the |
| fact that it's color to have it be not just a | earth and skies that man has inherited and the |
| colorful picture but really be a picture about | wealth and confusion man has created. |
| something. It's difficult. So often color gets | - Edward Steichen |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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