| There is nothing worse than a sharp image of | Photography is a major force in explaining |
| a fuzzy concept. - Ansel Adams | man to man. - Edward Steichen |
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| [Photography] is a way of feeling, of touching, | Photography is about finding out what can |
| of loving. What you have caught on film is | happen in the frame. When you put four |
| captured forever . . . it remembers little things, | edges around some facts, you change those |
| long after you have forgotten everything. | facts. - Gary Winogrand |
| - Aaron Siskind | |
| | Memory is very important, the memory of |
| Photography is my passion. - Alfred | each photo taken, flowing at the same speed |
| Stieglitz | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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Brooklyn |
Tulsa |
Las Vegas |
Tucson |
Boca Raton |
Huntington Beach |
Honolulu |
Fort Myers |
Goldsboro |
Racine |
Harrisonburg |
Cape Girardeau |
Dublin |
Lansing |
Plymouth |
White Bear Lake |
Langhorne |
North Las Vegas |
Portales |
Waynesville |
Moore |
Michigan City |
Fall River |
Sturgis |
Pell City |
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| Keep it simple. - Alfred Eienstaedt | One should really use the camera as though |
| | tomorrow you'd be stricken blind. |
| Sometimes you can tell a large story with a | - Dorothea Lange |
| tiny subject. - Eliot Porter | |
| | The camera makes everyone a tourist in other |
| You learn to see by practice. It's just like | people's reality. - Susan Sontag |
| playing tennis, you get better the more you | |
| play. The more you look around at things, the | The difficulty with color is to go beyond the |
| more you see. The more you photograph, the | fact that it's color to have it be not just a |
| more you realize what can be photographed | colorful picture but really be a picture about |
| and what can't be photographed. You just have | something. It's difficult. So often color gets |
| to keep doing it. - Eliot Porter | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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