| You learn to see by practice. It's just like | ...words and pictures can work together to |
| playing tennis, you get better the more you | communicate more powerfully than either |
| play. The more you look around at things, the | alone. -William Albert Allard |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | Photography records the gamut of feelings |
| and what can't be photographed. You just have | written on the human face, the beauty of the |
| to keep doing it. - Eliot Porter | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| Sometimes you can tell a large story with a | - Edward Steichen |
| tiny subject. - Eliot Porter | |
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New York |
San Antonio |
Philadelphia |
Washington |
Richmond |
Oakland |
Metairie |
Newport Beach |
Warwick |
Modesto |
Martin |
Corpus Christi |
Yorba Linda |
Piqua |
Milford |
Rockport |
Brownsville |
Blairsville |
Honolulu |
San Juan Capistrano |
Hurricane Mills |
Niantic |
Snowshoe |
Clearlake |
Robinson |
North Salt Lake City |
Geneva |
Universal City |
North Augusta |
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| The virtue of the camera is not the power it | [Photography] is a way of feeling, of touching, |
| has to transform the photographer into an | of loving. What you have caught on film is |
| artist, but the impulse it gives him to keep on | captured forever . . . it remembers little things, |
| looking. - Brooks Anderson | long after you have forgotten everything. |
| | - Aaron Siskind |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | It is not the language of painters but the |
| colorful picture but really be a picture about | language of nature which one should listen to. |
| something. It's difficult. So often color gets | . . . The feeling for the things themselves, for |
| caught up in color, and it becomes merely | reality, is more important than the feeling for |
| decorative. Some photographers use [ it ] | pictures. - Vincent Van Gogh |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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