| Above all, it's hard learning to live with vivid | Memory is very important, the memory of |
| mental images of scenes I cared for and failed | each photo taken, flowing at the same speed |
| to photograph. It is the edgy existence within | as the event. During the work, you have to be |
| me of these unmade images that is the only | sure that you haven't left any holes, that you've |
| assurance that the best photographs are yet to | captured everything, because afterwards it will |
| be made. - Sam Abell | be too late. - Henri Cartier Bresson |
| | |
| "Simply look with perceptive eyes at the | Pictures you have taken have an influence on |
| world about you, and trust to your own | those that you are going to make. |
| reactions and convictions. Ask yourself: | That's life! - John Sexton |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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|
Chicago |
Houston |
Los Angeles |
Baltimore |
Naples |
Boulder |
Spartanburg |
Sarasota |
West Orange |
Taunton |
Stratford |
Fredericksburg |
Freehold |
Wichita Falls |
Norwich |
Pigeon Forge |
Gloucester |
Rochester |
Bristol |
Harrodsburg |
Thomaston |
Milan |
Jekyll Island |
Douglasville |
Manchester |
Eugene |
New Florence |
Chambers |
Dickson |
Warrensville Heights |
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| You can find pictures anywhere. It's simply a | One should really use the camera as though |
| matter of noticing things and organizing them. | tomorrow you'd be stricken blind. |
| You just have to care about what's around you | - Dorothea Lange |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| You learn to see by practice. It's just like | colorful picture but really be a picture about |
| playing tennis, you get better the more you | something. It's difficult. So often color gets |
| play. The more you look around at things, the | caught up in color, and it becomes merely |
| more you see. The more you photograph, the | decorative. Some photographers use [ it ] |
| more you realize what can be photographed | brilliantly to make visual statements combining |
| and what can't be photographed. You just have | color and content; otherwise it is empty. |
| to keep doing it. - Eliot Porter | - Mary Ellen Mark |
|