| Sometimes you can tell a large story with a | Photography takes an instant out of time, |
| tiny subject. - Eliot Porter | altering life by holding it still. - Dorothea |
| | Lange |
| Keep it simple. - Alfred Eienstaedt | |
| | Above all, it's hard learning to live with vivid |
| I think the best pictures are often on the edges | mental images of scenes I cared for and failed |
| of any situation, I don't find photographing the | to photograph. It is the edgy existence within |
| situation nearly as interesting as | me of these unmade images that is the only |
| photographing the edges. - William Albert | assurance that the best photographs are yet to |
| Allard | be made. - Sam Abell |
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San Antonio |
Sarasota |
Pensacola |
New York |
Minneapolis |
Columbia |
Irving |
Fort Lauderdale |
New Smyrna Beach |
Greenwood |
Blackfoot |
Vacaville |
Newark |
Boone |
Leominster |
Cumming |
Fayetteville |
Eastland |
Eau Claire |
Harriman |
Southaven |
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| The virtue of the camera is not the power it | I think you have to have a real point of view |
| has to transform the photographer into an | that's your own. You have to tell it your way. |
| artist, but the impulse it gives him to keep on | And, I think that it's a mistake to shoot for a |
| looking. - Brooks Anderson | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| I almost never set out to photograph a | for yourself and photograph [the way] you |
| landscape, nor do I think of my camera as a | believe it. - Mary Ellen Mark |
| means of recording a mountain or an animal | |
| unless I absolutely need a 'record shot'. My | Memory is very important, the memory of |
| first thought is always of light. - Galen | each photo taken, flowing at the same speed |
| Rowell | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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