| You've got to push yourself harder. You've got | The difficulty with color is to go beyond the |
| to start looking for pictures nobody else could | fact that it's color to have it be not just a |
| take. You've got to take the tools you have and | colorful picture but really be a picture about |
| probe deeper. - William Albert Allard | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| Photography knows how to authenticate its | decorative. Some photographers use [ it ] |
| misrepresentations. - Mason Cooley | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| Pictures you have taken have an influence on | - Mary Ellen Mark |
| those that you are going to make. | |
| That's life! - John Sexton | |
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Phoenix |
Houston |
San Jose |
Virginia Beach |
Huntington Beach |
Bakersfield |
Costa Mesa |
Abingdon |
Clovis |
East Liverpool |
Schaumburg |
Westborough |
Sidney |
Westminster |
Benton |
Westfield |
Tallulah |
Wellesley |
Bucyrus |
Sidney |
Mckinney |
Kemah |
Milford |
Rocklin |
Boulder |
Chatsworth |
Warrenton |
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| Photography is my passion. - Alfred | Sometimes you can tell a large story with a |
| Stieglitz | tiny subject. - Eliot Porter |
| | |
| "Simply look with perceptive eyes at the | I think the best pictures are often on the edges |
| world about you, and trust to your own | of any situation, I don't find photographing the |
| reactions and convictions. Ask yourself: | situation nearly as interesting as |
| "Does this subject move me to feel, think | photographing the edges. - William Albert |
| and dream? Can I visualize a print - my own | Allard |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | A room hung with pictures is a room hung with |
| - Ansel Adams | thoughts. - Sir Joshua Reynolds |
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