| The virtue of the camera is not the power it | Photography is a major force in explaining |
| has to transform the photographer into an | man to man. - Edward Steichen |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | Photography records the gamut of feelings |
| | written on the human face, the beauty of the |
| I almost never set out to photograph a | earth and skies that man has inherited and the |
| landscape, nor do I think of my camera as a | wealth and confusion man has created. |
| means of recording a mountain or an animal | - Edward Steichen |
| unless I absolutely need a 'record shot'. My | |
| first thought is always of light. - Galen | You've got to push yourself harder. You've got |
| Rowell | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
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New York |
San Antonio |
Fort Lauderdale |
Greensboro |
Chattanooga |
Baton Rouge |
Bronx |
Oakland |
Richmond |
Sherman Oaks |
Oak Lawn |
Jersey City |
Pekin |
Billings |
Hamilton |
Kenedy |
Amarillo |
San Clemente |
Kerrville |
Faith |
Pompano Beach |
Moraine |
Cordova |
Cherokee |
Topeka |
Gloucester City |
Seymour |
Winter Park |
Oglesby |
Northfield |
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| No place is boring, if you've had a good | There is nothing worse than a sharp image of |
| night's sleep and have a pocket full of | a fuzzy concept. - Ansel Adams |
| unexposed film. - Robert Adams | |
| | Now to consult the rules of composition before |
| I think the best pictures are often on the edges | making a picture is a little like consulting the |
| of any situation, I don't find photographing the | law of gravitation before going for a walk. |
| situation nearly as interesting as | Such rules and laws are deduced from the |
| photographing the edges. - William Albert | accomplished fact; they are the products of |
| Allard | reflection . . . - Edward Weston |
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