| Photography knows how to authenticate its | The virtue of the camera is not the power it |
| misrepresentations. - Mason Cooley | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| Photography is a major force in explaining | looking. - Brooks Anderson |
| man to man. - Edward Steichen | |
| | Photography suits the temper of this ageof |
| Photography is about finding out what can | active bodies and minds. It is a perfect |
| happen in the frame. When you put four | medium for one whose mind is teeming with |
| edges around some facts, you change those | ideas, imagery, for a prolific worker who |
| facts. - Gary Winogrand | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
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Seattle |
Virginia Beach |
Raleigh |
Austin |
Wilmington |
New York |
Anchorage |
Portland |
Joliet |
Fountain Valley |
Morristown |
Owings Mills |
Laurel |
Sanibel |
Dunkirk |
Richfield |
Tahoe City |
Crystal Lake |
Ghent |
Hudson |
Oak Bluffs |
Durham |
Suisun |
Mclean |
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| Sometimes you can tell a large story with a | Now to consult the rules of composition before |
| tiny subject. - Eliot Porter | making a picture is a little like consulting the |
| | law of gravitation before going for a walk. |
| A great photograph is one that fully expresses | Such rules and laws are deduced from the |
| what one feels, in the deepest sense, about | accomplished fact; they are the products of |
| what is being photographed. - Ansel | reflection . . . - Edward Weston |
| Adams | |
| | It is not the language of painters but the |
| No place is boring, if you've had a good | language of nature which one should listen to. |
| night's sleep and have a pocket full of | . . . The feeling for the things themselves, for |
| unexposed film. - Robert Adams | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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