| "Simply look with perceptive eyes at the | The virtue of the camera is not the power it |
| world about you, and trust to your own | has to transform the photographer into an |
| reactions and convictions. Ask yourself: | artist, but the impulse it gives him to keep on |
| "Does this subject move me to feel, think | looking. - Brooks Anderson |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | The camera makes everyone a tourist in other |
| convey - from the subject before me?" | people's reality. - Susan Sontag |
| - Ansel Adams | |
| | I almost never set out to photograph a |
| Above all, it's hard learning to live with vivid | landscape, nor do I think of my camera as a |
| mental images of scenes I cared for and failed | means of recording a mountain or an animal |
| to photograph. It is the edgy existence within | unless I absolutely need a 'record shot'. My |
| me of these unmade images that is the only | first thought is always of light. - Galen |
| assurance that the best photographs are yet to | Rowell |
| be made. - Sam Abell | |
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Chicago |
Oklahoma City |
Reno |
Fullerton |
Lake Charles |
Palo Alto |
Chelmsford |
San Antonio |
Laguna Hills |
Cincinnati |
Tuscaloosa |
Portland |
Lawton |
Tulare |
Lexington |
Lufkin |
Artesia |
Las Vegas |
Tarpon Springs |
St. Marys |
Heathrow |
Trenton |
Asheboro |
Clifton |
Wadesboro |
Canyon |
Chadron |
Gila Bend |
Strongsville |
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| I think the best pictures are often on the edges | You've got to push yourself harder. You've got |
| of any situation, I don't find photographing the | to start looking for pictures nobody else could |
| situation nearly as interesting as | take. You've got to take the tools you have and |
| photographing the edges. - William Albert | probe deeper. - William Albert Allard |
| Allard | |
| | ...words and pictures can work together to |
| Sometimes you can tell a large story with a | communicate more powerfully than either |
| tiny subject. - Eliot Porter | alone. -William Albert Allard |
| | |
| A room hung with pictures is a room hung with | Memory is very important, the memory of |
| thoughts. - Sir Joshua Reynolds | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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