| One should really use the camera as though | Memory is very important, the memory of |
| tomorrow you'd be stricken blind. | each photo taken, flowing at the same speed |
| - Dorothea Lange | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| The difficulty with color is to go beyond the | captured everything, because afterwards it will |
| fact that it's color to have it be not just a | be too late. - Henri Cartier Bresson |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | Photography knows how to authenticate its |
| caught up in color, and it becomes merely | misrepresentations. - Mason Cooley |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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Houston |
San Antonio |
Waterloo |
Omaha |
Nashville |
La Grange |
Grants Pass |
Cedar Falls |
Evanston |
Carbondale |
Lawrenceburg |
Loveland |
Chicopee |
Forsyth |
North Platte |
Redwood City |
Anniston |
Central City |
La Plata |
Bourne |
Northeast Harbor |
Old Saybrook |
Eastham |
Newton |
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| Now to consult the rules of composition before | Keep it simple. - Alfred Eienstaedt |
| making a picture is a little like consulting the | |
| law of gravitation before going for a walk. | A good picture is equivalent to a good deed. |
| Such rules and laws are deduced from the | - Vincent Van Gogh |
| accomplished fact; they are the products of | |
| reflection . . . - Edward Weston | A great photograph is one that fully expresses |
| | what one feels, in the deepest sense, about |
| Above all, it's hard learning to live with vivid | what is being photographed. - Ansel |
| mental images of scenes I cared for and failed | Adams |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
|