| "Simply look with perceptive eyes at the | No place is boring, if you've had a good |
| world about you, and trust to your own | night's sleep and have a pocket full of |
| reactions and convictions. Ask yourself: | unexposed film. - Robert Adams |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | A good picture is equivalent to a good deed. |
| personal statement of what I feel and want to | - Vincent Van Gogh |
| convey - from the subject before me?" | |
| - Ansel Adams | I think the best pictures are often on the edges |
| | of any situation, I don't find photographing the |
| Photography is my passion. - Alfred | situation nearly as interesting as |
| Stieglitz | photographing the edges. - William Albert |
| | Allard |
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Kansas City |
Orlando |
Staten Island |
Glendale |
Costa Mesa |
Canton |
Chatsworth |
Kirkland |
Orland Park |
Santee |
Chickasha |
Wilmington |
Rockmart |
Marshfield |
Las Vegas |
Sardine Canyon |
Holly Springs |
Gillette |
Moorhead |
Westford |
Brattleboro |
Clarksville |
Grand Haven |
Rancho Cordova |
Centralia |
Sanford |
Snowmass Village |
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| The camera makes everyone a tourist in other | You've got to push yourself harder. You've got |
| people's reality. - Susan Sontag | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| The virtue of the camera is not the power it | probe deeper. - William Albert Allard |
| has to transform the photographer into an | |
| artist, but the impulse it gives him to keep on | ...words and pictures can work together to |
| looking. - Brooks Anderson | communicate more powerfully than either |
| | alone. -William Albert Allard |
| A mad, keen photographer needs to get out | |
| into the world and work and make mistakes. | Memory is very important, the memory of |
| - Sam Abell | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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