| One should really use the camera as though | There is nothing worse than a sharp image of |
| tomorrow you'd be stricken blind. | a fuzzy concept. - Ansel Adams |
| - Dorothea Lange | |
| | Above all, it's hard learning to live with vivid |
| The camera makes everyone a tourist in other | mental images of scenes I cared for and failed |
| people's reality. - Susan Sontag | to photograph. It is the edgy existence within |
| | me of these unmade images that is the only |
| The virtue of the camera is not the power it | assurance that the best photographs are yet to |
| has to transform the photographer into an | be made. - Sam Abell |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | |
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San Antonio |
Dallas |
New Orleans |
Houston |
Fort Worth |
Indianapolis |
Las Vegas |
Whittier |
Midlothian |
North Hollywood |
Long Beach |
Boynton Beach |
Gaithersburg |
Vienna |
Stafford |
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Lakewood |
Princeton |
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Harvard |
Henderson |
Danvers |
Los Alamos |
Somerset |
Denver |
Grundy |
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| Photography is about finding out what can | A good picture is equivalent to a good deed. |
| happen in the frame. When you put four | - Vincent Van Gogh |
| edges around some facts, you change those | |
| facts. - Gary Winogrand | You learn to see by practice. It's just like |
| | playing tennis, you get better the more you |
| Memory is very important, the memory of | play. The more you look around at things, the |
| each photo taken, flowing at the same speed | more you see. The more you photograph, the |
| as the event. During the work, you have to be | more you realize what can be photographed |
| sure that you haven't left any holes, that you've | and what can't be photographed. You just have |
| captured everything, because afterwards it will | to keep doing it. - Eliot Porter |
| be too late. - Henri Cartier Bresson | |
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