| Photography is about finding out what can | One should really use the camera as though |
| happen in the frame. When you put four | tomorrow you'd be stricken blind. |
| edges around some facts, you change those | - Dorothea Lange |
| facts. - Gary Winogrand | |
| | A mad, keen photographer needs to get out |
| Photography knows how to authenticate its | into the world and work and make mistakes. |
| misrepresentations. - Mason Cooley | - Sam Abell |
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| Memory is very important, the memory of | My own eyes are no more than scouts on a |
| each photo taken, flowing at the same speed | preliminary search, for the camera's eye may |
| as the event. During the work, you have to be | entirely change my idea. - Edward |
| sure that you haven't left any holes, that you've | Weston |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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San Antonio |
Austin |
Cedar Rapids |
Springfield |
Lubbock |
Franklin |
Palm Bay |
Tulsa |
Norcross |
Plymouth |
Baker City |
Fairfield |
Anchorage |
Northborough |
Sylmar |
Fort Collins |
Waukesha |
Vandalia |
Walnut |
Hereford |
Branford |
Huntingdon |
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| It is not the language of painters but the | A good picture is equivalent to a good deed. |
| language of nature which one should listen to. | - Vincent Van Gogh |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | Keep it simple. - Alfred Eienstaedt |
| pictures. - Vincent Van Gogh | |
| | A picture is the expression of an impression. If |
| Above all, it's hard learning to live with vivid | the beautiful were not in us, how would we |
| mental images of scenes I cared for and failed | ever recognize it? - Ernst Haas |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | No place is boring, if you've had a good |
| assurance that the best photographs are yet to | night's sleep and have a pocket full of |
| be made. - Sam Abell | unexposed film. - Robert Adams |
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