| Above all, it's hard learning to live with vivid | A great photograph is one that fully expresses |
| mental images of scenes I cared for and failed | what one feels, in the deepest sense, about |
| to photograph. It is the edgy existence within | what is being photographed. - Ansel |
| me of these unmade images that is the only | Adams |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | I think the best pictures are often on the edges |
| | of any situation, I don't find photographing the |
| [Photography] is a way of feeling, of touching, | situation nearly as interesting as |
| of loving. What you have caught on film is | photographing the edges. - William Albert |
| captured forever . . . it remembers little things, | Allard |
| long after you have forgotten everything. | |
| - Aaron Siskind | |
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New York |
Los Angeles |
San Antonio |
Seattle |
Charlotte |
Birmingham |
Wilmington |
Lima |
Honolulu |
Rochester |
Tupelo |
Waterbury |
Palatine |
Pleasanton |
Aventura |
Clayton |
Stone Mountain |
Scranton |
Bessemer |
Macon |
Palm Springs |
Kalamazoo |
Brookline |
Fairview Park |
Aspen |
Effingham |
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| I think you have to have a real point of view | The difficulty with color is to go beyond the |
| that's your own. You have to tell it your way. | fact that it's color to have it be not just a |
| And, I think that it's a mistake to shoot for a | colorful picture but really be a picture about |
| specific magazine's point of view because it's | something. It's difficult. So often color gets |
| never going to be as good. You have to shoot | caught up in color, and it becomes merely |
| for yourself and photograph [the way] you | decorative. Some photographers use [ it ] |
| believe it. - Mary Ellen Mark | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| You've got to push yourself harder. You've got | - Mary Ellen Mark |
| to start looking for pictures nobody else could | |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | |
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