| My own eyes are no more than scouts on a | ...words and pictures can work together to |
| preliminary search, for the camera's eye may | communicate more powerfully than either |
| entirely change my idea. - Edward | alone. -William Albert Allard |
| Weston | |
| | You've got to push yourself harder. You've got |
| The difficulty with color is to go beyond the | to start looking for pictures nobody else could |
| fact that it's color to have it be not just a | take. You've got to take the tools you have and |
| colorful picture but really be a picture about | probe deeper. - William Albert Allard |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | Photography records the gamut of feelings |
| decorative. Some photographers use [ it ] | written on the human face, the beauty of the |
| brilliantly to make visual statements combining | earth and skies that man has inherited and the |
| color and content; otherwise it is empty. | wealth and confusion man has created. |
| - Mary Ellen Mark | - Edward Steichen |
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Las Vegas |
Cincinnati |
Jacksonville |
Denver |
Houston |
Orlando |
Shreveport |
Los Angeles |
Durham |
Tacoma |
Kokomo |
Palm Springs |
Valdosta |
Pembroke Pines |
Marshfield |
Philadelphia |
Woodbridge |
Edwardsville |
Wilmington |
Vernon |
Mitchell |
Moses Lake |
Wheeling |
Polson |
Auburn |
San Rafael |
Hearne |
Milford |
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| Once photography enters your bloodstream, | A picture is the expression of an impression. If |
| it's like a disease. - Anon | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | A great photograph is one that fully expresses |
| reactions and convictions. Ask yourself: | what one feels, in the deepest sense, about |
| "Does this subject move me to feel, think | what is being photographed. - Ansel |
| and dream? Can I visualize a print - my own | Adams |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | You learn to see by practice. It's just like |
| - Ansel Adams | playing tennis, you get better the more you |
| | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
|