| You've got to push yourself harder. You've got | A great photograph is one that fully expresses |
| to start looking for pictures nobody else could | what one feels, in the deepest sense, about |
| take. You've got to take the tools you have and | what is being photographed. - Ansel |
| probe deeper. - William Albert Allard | Adams |
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| Photography records the gamut of feelings | I think the best pictures are often on the edges |
| written on the human face, the beauty of the | of any situation, I don't find photographing the |
| earth and skies that man has inherited and the | situation nearly as interesting as |
| wealth and confusion man has created. | photographing the edges. - William Albert |
| - Edward Steichen | Allard |
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Houston |
San Diego |
Little Rock |
Mesa |
Norfolk |
New York |
Lombard |
Salinas |
Clearfield |
Live Oak |
Gillette |
Cambridge |
Portage |
Madison |
Big Spring |
Washington |
Logan |
Bremerton |
Pharr |
North Vernon |
Yuba City |
Corning |
Vilano Beach |
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| The virtue of the camera is not the power it | Photography is my passion. - Alfred |
| has to transform the photographer into an | Stieglitz |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | There is nothing worse than a sharp image of |
| | a fuzzy concept. - Ansel Adams |
| One should really use the camera as though | |
| tomorrow you'd be stricken blind. | [Photography] is a way of feeling, of touching, |
| - Dorothea Lange | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| My own eyes are no more than scouts on a | long after you have forgotten everything. |
| preliminary search, for the camera's eye may | - Aaron Siskind |
| entirely change my idea. - Edward | |
| Weston | |
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