| A mad, keen photographer needs to get out | Photography takes an instant out of time, |
| into the world and work and make mistakes. | altering life by holding it still. - Dorothea |
| - Sam Abell | Lange |
| | |
| The virtue of the camera is not the power it | Photography is my passion. - Alfred |
| has to transform the photographer into an | Stieglitz |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | [Photography] is a way of feeling, of touching, |
| | of loving. What you have caught on film is |
| The difficulty with color is to go beyond the | captured forever . . . it remembers little things, |
| fact that it's color to have it be not just a | long after you have forgotten everything. |
| colorful picture but really be a picture about | - Aaron Siskind |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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| Photography is about finding out what can | No place is boring, if you've had a good |
| happen in the frame. When you put four | night's sleep and have a pocket full of |
| edges around some facts, you change those | unexposed film. - Robert Adams |
| facts. - Gary Winogrand | |
| | A great photograph is one that fully expresses |
| Memory is very important, the memory of | what one feels, in the deepest sense, about |
| each photo taken, flowing at the same speed | what is being photographed. - Ansel |
| as the event. During the work, you have to be | Adams |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | Sometimes you can tell a large story with a |
| be too late. - Henri Cartier Bresson | tiny subject. - Eliot Porter |
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