| You've got to push yourself harder. You've got | One should really use the camera as though |
| to start looking for pictures nobody else could | tomorrow you'd be stricken blind. |
| take. You've got to take the tools you have and | - Dorothea Lange |
| probe deeper. - William Albert Allard | |
| | Photography suits the temper of this ageof |
| I think you have to have a real point of view | active bodies and minds. It is a perfect |
| that's your own. You have to tell it your way. | medium for one whose mind is teeming with |
| And, I think that it's a mistake to shoot for a | ideas, imagery, for a prolific worker who |
| specific magazine's point of view because it's | would be slowed down by painting or |
| never going to be as good. You have to shoot | sculpting, for one who sees quickly and acts |
| for yourself and photograph [the way] you | decisively, accurately. - Edward Weston |
| believe it. - Mary Ellen Mark | |
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| Photography takes an instant out of time, | I think the best pictures are often on the edges |
| altering life by holding it still. - Dorothea | of any situation, I don't find photographing the |
| Lange | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| There is nothing worse than a sharp image of | Allard |
| a fuzzy concept. - Ansel Adams | |
| | You can find pictures anywhere. It's simply a |
| "Simply look with perceptive eyes at the | matter of noticing things and organizing them. |
| world about you, and trust to your own | You just have to care about what's around you |
| reactions and convictions. Ask yourself: | and have a concern with humanity and the |
| "Does this subject move me to feel, think | human comedy. - Elliott Erwitt |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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