| The camera makes everyone a tourist in other | "Simply look with perceptive eyes at the |
| people's reality. - Susan Sontag | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| My own eyes are no more than scouts on a | "Does this subject move me to feel, think |
| preliminary search, for the camera's eye may | and dream? Can I visualize a print - my own |
| entirely change my idea. - Edward | personal statement of what I feel and want to |
| Weston | convey - from the subject before me?" |
| | - Ansel Adams |
| The virtue of the camera is not the power it | |
| has to transform the photographer into an | Photography takes an instant out of time, |
| artist, but the impulse it gives him to keep on | altering life by holding it still. - Dorothea |
| looking. - Brooks Anderson | Lange |
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| ...words and pictures can work together to | I think the best pictures are often on the edges |
| communicate more powerfully than either | of any situation, I don't find photographing the |
| alone. -William Albert Allard | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| Photography is a major force in explaining | Allard |
| man to man. - Edward Steichen | |
| | A great photograph is one that fully expresses |
| You've got to push yourself harder. You've got | what one feels, in the deepest sense, about |
| to start looking for pictures nobody else could | what is being photographed. - Ansel |
| take. You've got to take the tools you have and | Adams |
| probe deeper. - William Albert Allard | |
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