| No place is boring, if you've had a good | Once photography enters your bloodstream, |
| night's sleep and have a pocket full of | it's like a disease. - Anon |
| unexposed film. - Robert Adams | |
| | "Simply look with perceptive eyes at the |
| You learn to see by practice. It's just like | world about you, and trust to your own |
| playing tennis, you get better the more you | reactions and convictions. Ask yourself: |
| play. The more you look around at things, the | "Does this subject move me to feel, think |
| more you see. The more you photograph, the | and dream? Can I visualize a print - my own |
| more you realize what can be photographed | personal statement of what I feel and want to |
| and what can't be photographed. You just have | convey - from the subject before me?" |
| to keep doing it. - Eliot Porter | - Ansel Adams |
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| I think you have to have a real point of view | One should really use the camera as though |
| that's your own. You have to tell it your way. | tomorrow you'd be stricken blind. |
| And, I think that it's a mistake to shoot for a | - Dorothea Lange |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | A mad, keen photographer needs to get out |
| for yourself and photograph [the way] you | into the world and work and make mistakes. |
| believe it. - Mary Ellen Mark | - Sam Abell |
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| Photography records the gamut of feelings | The camera makes everyone a tourist in other |
| written on the human face, the beauty of the | people's reality. - Susan Sontag |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | |
| - Edward Steichen | |
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