| Photography records the gamut of feelings | [Photography] is a way of feeling, of touching, |
| written on the human face, the beauty of the | of loving. What you have caught on film is |
| earth and skies that man has inherited and the | captured forever . . . it remembers little things, |
| wealth and confusion man has created. | long after you have forgotten everything. |
| - Edward Steichen | - Aaron Siskind |
| | |
| ...words and pictures can work together to | "Simply look with perceptive eyes at the |
| communicate more powerfully than either | world about you, and trust to your own |
| alone. -William Albert Allard | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Miami |
Staten Island |
South Bend |
Spartanburg |
Conroe |
Muskegon |
Columbus |
Jacksonville |
Ventura |
Athens |
Georgetown |
Cedar Rapids |
Naples |
Winnie |
Gallup |
Broomfield |
Roswell |
Beavercreek |
Kirksville |
Thomasville |
Sumter |
Waterloo |
Zumbrota |
Havre De Grace |
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| Sometimes you can tell a large story with a | A mad, keen photographer needs to get out |
| tiny subject. - Eliot Porter | into the world and work and make mistakes. |
| | - Sam Abell |
| A good picture is equivalent to a good deed. | |
| - Vincent Van Gogh | The virtue of the camera is not the power it |
| | has to transform the photographer into an |
| I think the best pictures are often on the edges | artist, but the impulse it gives him to keep on |
| of any situation, I don't find photographing the | looking. - Brooks Anderson |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | One should really use the camera as though |
| Allard | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
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