| I think you have to have a real point of view | Photography suits the temper of this ageof |
| that's your own. You have to tell it your way. | active bodies and minds. It is a perfect |
| And, I think that it's a mistake to shoot for a | medium for one whose mind is teeming with |
| specific magazine's point of view because it's | ideas, imagery, for a prolific worker who |
| never going to be as good. You have to shoot | would be slowed down by painting or |
| for yourself and photograph [the way] you | sculpting, for one who sees quickly and acts |
| believe it. - Mary Ellen Mark | decisively, accurately. - Edward Weston |
| | |
| Memory is very important, the memory of | A mad, keen photographer needs to get out |
| each photo taken, flowing at the same speed | into the world and work and make mistakes. |
| as the event. During the work, you have to be | - Sam Abell |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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New York |
Milwaukee |
New Orleans |
Salt Lake City |
Dallas |
Tuscaloosa |
St. Joseph |
Newport News |
Hampton |
Newburgh |
Harrisburg |
Elizabethton |
Pasadena |
Clackamas |
Hudson |
Southern Pines |
Collinsville |
Sacramento |
Reston |
Olympia |
Oneida |
Santee |
Bethel |
Poplar Bluff |
Sleepy Eye |
Vermillion |
Santa Fe |
Treasure Island |
Grand Lake |
Wichita Falls |
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| A good picture is equivalent to a good deed. | Photography takes an instant out of time, |
| - Vincent Van Gogh | altering life by holding it still. - Dorothea |
| | Lange |
| I think the best pictures are often on the edges | |
| of any situation, I don't find photographing the | "Simply look with perceptive eyes at the |
| situation nearly as interesting as | world about you, and trust to your own |
| photographing the edges. - William Albert | reactions and convictions. Ask yourself: |
| Allard | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| Sometimes you can tell a large story with a | personal statement of what I feel and want to |
| tiny subject. - Eliot Porter | convey - from the subject before me?" |
| | - Ansel Adams |
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