| The difficulty with color is to go beyond the | You can find pictures anywhere. It's simply a |
| fact that it's color to have it be not just a | matter of noticing things and organizing them. |
| colorful picture but really be a picture about | You just have to care about what's around you |
| something. It's difficult. So often color gets | and have a concern with humanity and the |
| caught up in color, and it becomes merely | human comedy. - Elliott Erwitt |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | I think the best pictures are often on the edges |
| color and content; otherwise it is empty. | of any situation, I don't find photographing the |
| - Mary Ellen Mark | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| | Allard |
|
|
Chicago |
Akron |
South Bend |
Coral Springs |
Stuart |
Fairfax |
Long Beach |
Cedar Rapids |
Rockford |
Hyannis |
Fair Lawn |
Enumclaw |
Alexandria |
Salem |
Indiana |
Cohoes |
Cedar Hill |
Moses Lake |
Hurst |
San Bruno |
Romulus |
Chincoteague |
Phenix City |
Owensboro |
Layton |
Avon |
|
|
| Photography takes an instant out of time, | Pictures you have taken have an influence on |
| altering life by holding it still. - Dorothea | those that you are going to make. |
| Lange | That's life! - John Sexton |
| | |
| Now to consult the rules of composition before | Memory is very important, the memory of |
| making a picture is a little like consulting the | each photo taken, flowing at the same speed |
| law of gravitation before going for a walk. | as the event. During the work, you have to be |
| Such rules and laws are deduced from the | sure that you haven't left any holes, that you've |
| accomplished fact; they are the products of | captured everything, because afterwards it will |
| reflection . . . - Edward Weston | be too late. - Henri Cartier Bresson |
|