| Above all, it's hard learning to live with vivid | No place is boring, if you've had a good |
| mental images of scenes I cared for and failed | night's sleep and have a pocket full of |
| to photograph. It is the edgy existence within | unexposed film. - Robert Adams |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | I think the best pictures are often on the edges |
| be made. - Sam Abell | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| There is nothing worse than a sharp image of | photographing the edges. - William Albert |
| a fuzzy concept. - Ansel Adams | Allard |
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|
Houston |
Lexington |
Pasadena |
Denver |
Longwood |
Moline |
Kilgore |
Hauppauge |
Plantation |
Baker City |
Blacksburg |
Lyndhurst |
Northampton |
San Carlos |
Laurel |
Duncan |
Lynchburg |
Norwalk |
Jefferson |
Canton |
College Park |
Baton Rouge |
Milwaukie |
Sunnyvale |
Douglas |
Ledgewood |
Pickerington |
National City |
Warwick |
West Yellowstone |
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| Memory is very important, the memory of | I almost never set out to photograph a |
| each photo taken, flowing at the same speed | landscape, nor do I think of my camera as a |
| as the event. During the work, you have to be | means of recording a mountain or an animal |
| sure that you haven't left any holes, that you've | unless I absolutely need a 'record shot'. My |
| captured everything, because afterwards it will | first thought is always of light. - Galen |
| be too late. - Henri Cartier Bresson | Rowell |
| | |
| You've got to push yourself harder. You've got | A mad, keen photographer needs to get out |
| to start looking for pictures nobody else could | into the world and work and make mistakes. |
| take. You've got to take the tools you have and | - Sam Abell |
| probe deeper. - William Albert Allard | |
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