| I think you have to have a real point of view | A mad, keen photographer needs to get out |
| that's your own. You have to tell it your way. | into the world and work and make mistakes. |
| And, I think that it's a mistake to shoot for a | - Sam Abell |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | I almost never set out to photograph a |
| for yourself and photograph [the way] you | landscape, nor do I think of my camera as a |
| believe it. - Mary Ellen Mark | means of recording a mountain or an animal |
| | unless I absolutely need a 'record shot'. My |
| ...words and pictures can work together to | first thought is always of light. - Galen |
| communicate more powerfully than either | Rowell |
| alone. -William Albert Allard | |
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| It is not the language of painters but the | Keep it simple. - Alfred Eienstaedt |
| language of nature which one should listen to. | |
| . . . The feeling for the things themselves, for | A great photograph is one that fully expresses |
| reality, is more important than the feeling for | what one feels, in the deepest sense, about |
| pictures. - Vincent Van Gogh | what is being photographed. - Ansel |
| | Adams |
| [Photography] is a way of feeling, of touching, | |
| of loving. What you have caught on film is | Sometimes you can tell a large story with a |
| captured forever . . . it remembers little things, | tiny subject. - Eliot Porter |
| long after you have forgotten everything. | |
| - Aaron Siskind | |
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