| I almost never set out to photograph a | I think the best pictures are often on the edges |
| landscape, nor do I think of my camera as a | of any situation, I don't find photographing the |
| means of recording a mountain or an animal | situation nearly as interesting as |
| unless I absolutely need a 'record shot'. My | photographing the edges. - William Albert |
| first thought is always of light. - Galen | Allard |
| Rowell | |
| | A great photograph is one that fully expresses |
| My own eyes are no more than scouts on a | what one feels, in the deepest sense, about |
| preliminary search, for the camera's eye may | what is being photographed. - Ansel |
| entirely change my idea. - Edward | Adams |
| Weston | |
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Long Beach |
Corpus Christi |
Franklin |
Decatur |
Chaska |
Lake Charles |
Gardena |
Danville |
Palm Springs |
Goodland |
Middletown |
Waterville |
Middletown |
Metairie |
Griffin |
Gunnison |
Chino |
Plymouth |
Johnson City |
Elk City |
Chicago |
Brewerton |
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| Memory is very important, the memory of | Photography is my passion. - Alfred |
| each photo taken, flowing at the same speed | Stieglitz |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | "Simply look with perceptive eyes at the |
| captured everything, because afterwards it will | world about you, and trust to your own |
| be too late. - Henri Cartier Bresson | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| Photography is a major force in explaining | and dream? Can I visualize a print - my own |
| man to man. - Edward Steichen | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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