| Photography is about finding out what can | No place is boring, if you've had a good |
| happen in the frame. When you put four | night's sleep and have a pocket full of |
| edges around some facts, you change those | unexposed film. - Robert Adams |
| facts. - Gary Winogrand | |
| | A great photograph is one that fully expresses |
| Memory is very important, the memory of | what one feels, in the deepest sense, about |
| each photo taken, flowing at the same speed | what is being photographed. - Ansel |
| as the event. During the work, you have to be | Adams |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | Sometimes you can tell a large story with a |
| be too late. - Henri Cartier Bresson | tiny subject. - Eliot Porter |
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Chicago |
Los Angeles |
Atlanta |
Staten Island |
Rochester |
Hartford |
Albany |
Colorado Springs |
North Fort Myers |
Del City |
Weston |
Westport |
Pasadena |
Sebring |
Bozeman |
Shreveport |
Edmonds |
Sikeston |
Lenexa |
Odessa |
Union City |
Visalia |
North Hollywood |
Lumberton |
Latrobe |
Athens |
Attleboro |
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| Once photography enters your bloodstream, | The difficulty with color is to go beyond the |
| it's like a disease. - Anon | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| It is not the language of painters but the | something. It's difficult. So often color gets |
| language of nature which one should listen to. | caught up in color, and it becomes merely |
| . . . The feeling for the things themselves, for | decorative. Some photographers use [ it ] |
| reality, is more important than the feeling for | brilliantly to make visual statements combining |
| pictures. - Vincent Van Gogh | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
| Photography takes an instant out of time, | |
| altering life by holding it still. - Dorothea | |
| Lange | |
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