| You've got to push yourself harder. You've got | A picture is the expression of an impression. If |
| to start looking for pictures nobody else could | the beautiful were not in us, how would we |
| take. You've got to take the tools you have and | ever recognize it? - Ernst Haas |
| probe deeper. - William Albert Allard | |
| | You can find pictures anywhere. It's simply a |
| ...words and pictures can work together to | matter of noticing things and organizing them. |
| communicate more powerfully than either | You just have to care about what's around you |
| alone. -William Albert Allard | and have a concern with humanity and the |
| | human comedy. - Elliott Erwitt |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | |
| - Edward Steichen | |
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Colorado Springs |
Muncie |
Wilmington |
Lafayette |
College Station |
Peoria |
Rock Island |
Gillette |
Del Mar |
Klamath Falls |
Tulsa |
Tullahoma |
Jacksonville |
West Sacramento |
Nevada City |
Stanton |
Bath |
Hermosa Beach |
Palmdale |
Turlock |
Midway |
Fitzgerald |
Yuma |
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| The difficulty with color is to go beyond the | Now to consult the rules of composition before |
| fact that it's color to have it be not just a | making a picture is a little like consulting the |
| colorful picture but really be a picture about | law of gravitation before going for a walk. |
| something. It's difficult. So often color gets | Such rules and laws are deduced from the |
| caught up in color, and it becomes merely | accomplished fact; they are the products of |
| decorative. Some photographers use [ it ] | reflection . . . - Edward Weston |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | Photography takes an instant out of time, |
| - Mary Ellen Mark | altering life by holding it still. - Dorothea |
| | Lange |
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