| There is nothing worse than a sharp image of | You can find pictures anywhere. It's simply a |
| a fuzzy concept. - Ansel Adams | matter of noticing things and organizing them. |
| | You just have to care about what's around you |
| Now to consult the rules of composition before | and have a concern with humanity and the |
| making a picture is a little like consulting the | human comedy. - Elliott Erwitt |
| law of gravitation before going for a walk. | |
| Such rules and laws are deduced from the | No place is boring, if you've had a good |
| accomplished fact; they are the products of | night's sleep and have a pocket full of |
| reflection . . . - Edward Weston | unexposed film. - Robert Adams |
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Philadelphia |
Tampa |
Indianapolis |
Sacramento |
Longview |
Johnstown |
Poughkeepsie |
Wilmington |
Fort Worth |
Denton |
Melbourne |
Winter Park |
Homestead |
Henderson |
Salem |
Charleston |
Crestview |
Garden City |
Dearborn |
Sandersville |
Sylmar |
Potosi |
Tarpon Springs |
Nicholasville |
Leesburg |
Victorville |
Belton |
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| One should really use the camera as though | I think you have to have a real point of view |
| tomorrow you'd be stricken blind. | that's your own. You have to tell it your way. |
| - Dorothea Lange | And, I think that it's a mistake to shoot for a |
| | specific magazine's point of view because it's |
| Photography suits the temper of this ageof | never going to be as good. You have to shoot |
| active bodies and minds. It is a perfect | for yourself and photograph [the way] you |
| medium for one whose mind is teeming with | believe it. - Mary Ellen Mark |
| ideas, imagery, for a prolific worker who | |
| would be slowed down by painting or | Photography is a major force in explaining |
| sculpting, for one who sees quickly and acts | man to man. - Edward Steichen |
| decisively, accurately. - Edward Weston | |
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